Soprano | Anna Netrebko |
Mezzo-soprano | Elena Maximova |
Violin | Giovanni Andrea Zanon |
Piano | Malcolm Martineau |
programme |
|
---|---|
Francesco Cilea |
from Adriana Lecouvreur Del sultano Amuratte m’arrendo all’impero…Io son l’umile ancella with Giovanni Andrea Zanon, violin |
Sergei Vasilyevich Rachmaninoff |
Siren (Lillà) Op. 21 No. 5 |
Zdes’ horosho (How Fair This Place) Op. 21 No. 7 | |
Nikolai Andreyevich Rimsky-Korsakov |
Zvonche zhavoronka pen’e (More Sonorous Than the Lark's Singing) Op. 43 No. 1 |
Richard Strauss |
Morgen Op. 27 No. 4 with Giovanni Andrea Zanon, violin |
Breit über mein Haupt Op. 19 No. 2 | |
Claude Debussy | Il pleure dans mon cœur l. 60 No. 2 |
Gustave Charpentier |
from Louise Depuis le jour |
Pyotr Ilyich Tchaikovsky |
Skazhi o chem v teni vetvej (Oh say, what is it, in shady branches) Op. 57 No. 1 |
Ruggero Leoncavallo |
From Pagliacci Stridono lassù |
Mattinata Op. 5 | |
Pëtr Il'ič Čajkovskij |
From Pikovaja dama (Pique Dame) Uzh vecher… Oblakov pomerknuli kraya with Elena Maximova, mezzo-soprano |
Nikolai Andreyevich Rimsky-Korsakov | Redeet oblakov letuchaja grjada Op. 42 No. 3 |
Sergei Vasilyevich Rachmaninoff | Son (The Dream) Op. 38 No. 5 |
Richard Strauss | Die Nacht Op. 10 No. 3 |
Ständchen Op. 17 No. 2 | |
Antonín Dvořák | Když mne stará matka (Songs my mother taught me) Op. 55 No. 4 |
Sergei Vasilyevich Rachmaninoff |
Ne poy, krasavitsa, pri mne (Oh do not sing, fair maiden) Op. 4 No. 4 with Giovanni Andrea Zanon, violin |
Camille Saint-Saëns |
from Samson et Dalila Printemps qui commence |
Jacques Offenbach |
from Les contes d’Hoffmann Barcarolle with Elena Maximova, mezzo-soprano |
Douglas Moore |
from The Ballad of Baby Doe Gold is a fine thing (Elizabeth “Baby” Doe's aria) |
Francesco Paolo Tosti | La serenata |
Main Partner |
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