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  • Marina Rebeka e Lucas Meachem 110 0H3A7160. ph Brescia e Amisano ©Teatro alla Scala
  • Cattura trailer gallery
  • intervista viotti
  • py gallery
  • 091 0H2A4483. ph Brescia e Amisano ©Teatro alla Scala
  • Marina Rebeka 088 0H2A4474. ph Brescia e Amisano ©Teatro alla Scala
  • Emanuela Montanari e Massimo Garon 128 0H3A7220. ph Brescia e Amisano ©Teatro alla Scala
  • Giovanni Sala 050 0H2A4353. ph Brescia e Amisano ©Teatro alla Scala
  • Marina Rebeka 100 0H2A4514. ph Brescia e Amisano ©Teatro alla Scala
  • 154 0H3A7325. ph Brescia e Amisano ©Teatro alla Scala
  • 192 0H3A7414. ph Brescia e Amisano ©Teatro alla Scala
Ph. Marco Brescia & Rudy Amisano
From 10 February to 2 March 2022
Jules Massenet

Running time: 2 hours 50 minutes ca. intermission included

FIRST ACT 70 minutes / Pause 30 minutes / SECOND ACT 70 minutes


Comédie lyrique in three acts

Libretto by Louis Gallet


Teatro alla Scala New Production


Teatro alla Scala Orchestra and Chorus

Conductor Lorenzo Viotti
Staging Olivier Py
Staging assistant Ivo Bauchiero
Sets and costumes Pierre André Weitz
Sets assistant Pierre Lebon
Costumes assistant Mathieu Crescence
Lights Bertrand Killy
Choreography Ivo Bauchiero
Maestro del Coro Alberto Malazzi


Thaïs Marina Rebeka
Athanaël Lucas Meachem
Nicias Giovanni Sala
Crobyle Caterina Sala
Myrtale Anna-Doris Capitelli
Albine Valentina Pluzhnikova

Federica Guida (10, 16, 19, 22 Feb. e 2 Mar.)

Nicole Wacker (25 Feb.

Palémon Insung Sim
Servant Jorge Martínez

Luigi Albani

Renis Hyka

Michele Mauro

Andrea Semeraro

Massimo Pagano

Giorgio Valerio

Soloist dancers

Emanuela Montanari (10, 16, 19 Feb.) / Beatrice Carbone (22, 25 Feb. and 2 Mar. )

Massimo Garon (10, 16, 19 Feb.) / Gioacchino Starace (22, 25 Feb and 2 Mar.) 

We inform the audience that the production includes some nude scenes


Thaïs, inspired by Anatole France’s novel and staged for the first time at the Palais Garnier in 1894, has been staged at La Scala just once in 1942 under the baton of Gino Marinuzzi. Massenet’s refined and exquisite score aptly evokes the literary source, inflecting the dialectic of sin and redemption in a spectacular exercise in style combining erudition, exoticism, and sensuality. Lorenzo Viotti continues the exploration of French music that began with Roméo et Juliette in 2020, featuring one of the most dynamic stage directors in Europe, Olivier Py.