Dawson / Duato / Kratz / Kylián
Running time: 2 hours and 30 minutes ca. intermission included
FIRST PART 27 minutes / Intermission 25 minutes / SECOND PART 41 minutes / intermission 25 minutes / THIRD PART 30 minutes
programme |
|
|---|---|
| Anima Animus |
Teatro alla Scala New Production David Dawson, choreography Ezio Bosso, music John Otto, sets Yumiko Takeshima, costumes James F. Ingalls, lights |
| Remanso |
Teatro alla Scala New Production
Nacho Duato, choreography, sets and costumes Takahiro Yoshikawa, piano
|
| Solitude Sometimes |
Teatro alla Scala New Production Casia Vengoechea, choreography assistant Thom Yorke e Radiohead, music Carlo Cerri and OOOPStudio, video designer |
| Bella Figura |
Wiener Staatsballett production, 2011 Sets and costumes manufactured by ART FOR ART Theaterservice GmbH, Vienna Premiere 12 October 1995, Nederlands Dans Theater, AT&T Danstheater, The Hague
Lorraine Blouin, Cora Bos Kroese, Stefan Zeromski, assistants to Choreographer Lukas Foss, Giovanni Battista Pergolesi, Alessandro Marcello, Antonio Vivaldi, Giuseppe Torelli, musicJiří Kylián, sets and lights Joke Visser, costumes Kees Tjebbes, lights revived Joost Biegelaar, lights and sets supervisor |
Recorded music
Four names of great originality bring together different generations and creative universes in a richly suggestive performance. Catharsis and rebirth in a world premiere by Philippe Kratz, who plunges into Egyptian mythology to their ascend towards the light. Rich in contrasts, with music by Ezio Bosso, Anima Animus by David Dawson, here in its Italian debut, combines virtuosity, emotions, physicality, and humanity. A celebration of beauty, which emerges from even the most bizarre and unexpected movement, Bella Figura returns in homage to the mastery of Jiří Kylián; and Nacho Duato is back too, this time with Roberto Bolle in a male trio who have never performed at La Scala, in Remanso, set to Enrique Granados' Valses poéticos and inspired by the universe of Federico García Lorca.
